{"id":3044,"date":"2015-12-21T13:37:12","date_gmt":"2015-12-21T13:37:12","guid":{"rendered":"http:\/\/www.pedrojosepradillo.com\/abstraccion-geometrias\/?lang=en"},"modified":"2016-01-26T08:57:25","modified_gmt":"2016-01-26T08:57:25","slug":"abstraccion-geometrias","status":"publish","type":"page","link":"http:\/\/www.pedrojosepradillo.com\/en\/abstraccion-geometrias\/","title":{"rendered":"Abstracci\u00f3n # geometr\u00edas"},"content":{"rendered":"<div class=\"vc_row wpb_row vc_row-fluid oi_inner_without_paddings\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"wpb_wrapper\"><h1 style=\"text-align: left;font-family:Arimo;font-weight:400;font-style:normal\" class=\"vc_custom_heading\">Abstracci\u00f3n # geometr\u00edas<\/h1><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid oi_inner_without_paddings\"><div class=\"wpb_column vc_column_container vc_col-sm-6 vc_custom_1450782562995\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>In 1980 was displayed for the first time a little collection of paintings and sculptures in which is already settled the bipolarity of this artist, that, again and again, will wander between the different paths opened by the <em>&#8220;historical vanguards&#8221;<\/em>.<\/p>\n<p>In those initial moments he will grasp into the models and approaches of the Russian constructivists, elaborating pieces with ensemble polythene pipes\u00a0(<strong><em>El m\u00fasico de jazz<\/em><\/strong>, 1978), creating funny toys with discarded plastic elements, and carving architectonic sculptures with fragments of wooden beams taken from demolitions\u00a0(<strong><em>Escultura I<\/em><\/strong>,\u00a0<strong><em>Escultura II<\/em><\/strong>,\u00a0<strong><em>Mir\u00f3n<\/em><\/strong>, 1980).<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>In 1988 he exhibits his project\u00a0<em>Antologia 19,<\/em>\u00a0an extensive collection as a result of the analysis of nineteen mother drawings and the different interpretations that allow each of them when other techniques are used, as oil painting\u00a0(<strong><em>S.\u00a0Rottluff\u00a0escupiendo en el jard\u00edn de L. Kirchner<\/em><\/strong>,\u00a0<strong><em>El crep\u00fasculo de los N\u00fa\u00f1ez<\/em><\/strong>, 1985), watercolor, collage and sculptural relief.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Abstracci\u00f3n # geometr\u00edas In 1980 was displayed for the first time a little collection of paintings and sculptures in which is already settled the bipolarity of this artist, that, again and again, will wander between the different paths opened by the \"historical vanguards\". In those initial moments he will grasp into the models and approaches [...]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"portfolio.php","meta":[],"_links":{"self":[{"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/pages\/3044"}],"collection":[{"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/comments?post=3044"}],"version-history":[{"count":1,"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/pages\/3044\/revisions"}],"predecessor-version":[{"id":3046,"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/pages\/3044\/revisions\/3046"}],"wp:attachment":[{"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/media?parent=3044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}