{"id":3040,"date":"2015-12-21T13:37:46","date_gmt":"2015-12-21T13:37:46","guid":{"rendered":"http:\/\/www.pedrojosepradillo.com\/surrealismo-incon-vertido\/?lang=en"},"modified":"2019-03-15T08:55:56","modified_gmt":"2019-03-15T08:55:56","slug":"dadaismo-inconvertido","status":"publish","type":"page","link":"http:\/\/www.pedrojosepradillo.com\/en\/dadaismo-inconvertido\/","title":{"rendered":"Dada\u00edsmo # in\/con\u00b7vertido"},"content":{"rendered":"<div class=\"vc_row wpb_row vc_row-fluid oi_inner_without_paddings\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"wpb_wrapper\"><h1 style=\"text-align: left;font-family:Arimo;font-weight:400;font-style:normal\" class=\"vc_custom_heading\">Dada\u00edsmo # in\/con\u00b7vertido<\/h1><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid oi_inner_without_paddings\"><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  vc_custom_1453798502406\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>Pradillo was once described as an &#8220;unrepentant savage&#8221; because of his ability to interpret some occidental&#8217;s art matters from a peculiar ironic perspective, that, somehow, were in parallel to the fighting principles of the Dadaism\u00a0(<strong><em>Un \u00e9xtasis para G.L. Bernini<\/em><\/strong>,<strong>\u00a0<\/strong>1980;<strong> <em>Almuerzo sobre la hierba<\/em><\/strong><em>,<\/em><strong>\u00a0<\/strong>1983;<strong> <em>Marat asesinado<\/em><\/strong>,<strong>\u00a0<\/strong>1985<strong>).<\/strong><\/p>\n<p>Very soon, the stripped of context everyday objects and the debris of the own artist, become the ingredients to create intimate treasures that will be presented as venerable relics in cardboard cases\u00a0(<strong><em>Relicario<\/em><\/strong>; and\u00a0<strong><em>Reliquias II<\/em><\/strong>, 1985), or to build boxes that, despite their hermetic shape, surpass the straight jacketing of the most primitive oneiric surrealism\u00a0(<strong><em>Gran Hotel <\/em><\/strong>or<strong><em> Caja de M\u00fasica<\/em><\/strong>, 1984).<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>In 1996 with the\u00a0<em>InCon\u00b7Vertido<\/em>\u00a0sample he announced an universe of &#8220;itinerant chapels&#8221; of dubious devotion\u00a0(<strong><em>Cine<\/em><\/strong>, 1994;\u00a0<strong><em>Muscus\u00a0ex cr\u00e1neo humano<\/em><\/strong>;\u00a0<strong><em>El continuo deseo de\u2026<\/em><\/strong>;\u00a0<strong><em>L.F. retrospectivo<\/em><\/strong>, 1996), displayed with some other bigger pieces formed by stuff found in dumping sites and recovered for the artistic creation\u00a0(<strong><em>Onanismo<\/em><\/strong>, 1988).<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Dada\u00edsmo # in\/con\u00b7vertido Pradillo was once described as an \"unrepentant savage\" because of his ability to interpret some occidental's art matters from a peculiar ironic perspective, that, somehow, were in parallel to the fighting principles of the Dadaism\u00a0(Un \u00e9xtasis para G.L. Bernini,\u00a01980; Almuerzo sobre la hierba,\u00a01983; Marat asesinado,\u00a01985). Very soon, the stripped of context everyday [...]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"portfolio.php","meta":[],"_links":{"self":[{"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/pages\/3040"}],"collection":[{"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/comments?post=3040"}],"version-history":[{"count":2,"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/pages\/3040\/revisions"}],"predecessor-version":[{"id":3568,"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/pages\/3040\/revisions\/3568"}],"wp:attachment":[{"href":"http:\/\/www.pedrojosepradillo.com\/en\/wp-json\/wp\/v2\/media?parent=3040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}